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Contents |
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PART ONE THE ANCIENT AND MEDIEVAL WORLDS |
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| 10 |
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Chapter 2 The Christian Church in the First Millennium |
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| 11 |
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Chapter 3 Roman Liturgy and Chant |
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| 12 |
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Chapter 4 Song and Dance Music in the Middle Ages |
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| 13 |
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Chapter 5 Polyphony through the Thirteenth Century |
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Chapter 6 French and Italian Music in the Fourteenth Century |
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PART TWO THE RENAISSANCE |
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Chapter 8 England and Burgundy in the Fifteenth Century |
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Chapter 9 Franco-Flemish Composers, 1450-1520 |
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Chapter 10 Sacred Music in the Era of the Reformation |
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Chapter 11 Madrigal and Secular Song in the Sixteenth Century |
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Chapter 12 The Rise of Instrumental Music |
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PART THREE THE SEVENTEENTH CENTURY |
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Chapter 14 The Invention of Opera |
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Chapter 15 Music for Chamber and Church in the Early Seventeenth Century |
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Chapter 16 France, England, Spain, and the New World in the Seventeenth Century |
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Chapter 17 Italy and Germany in the Late Seventeenth Century |
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PART FOUR THE EIGHTEENTH CENTURY |
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Chapter 19 German Composers of the Late Baroque |
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Chapter 20 Opera and Vocal Music in the Early Classic Period |
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Chapter 21 Instrumental Music: Sonata, Symphony, and Concerto at Midcentury |
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Chapter 22 Classic Music in the Late Eighteenth Century |
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PART FIVE THE NINETEENTH CENTURY |
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Chapter 24 The Romantic Generation: Song and Piano Music |
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Chapter 25 Romanticism in Classic Forms: Orchestral, Chamber, and Choral Music |
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Chapter 26 Romantic Opera and Musical Theater to Midcentury |
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Chapter 27 Opera and Musical Theater in the Later Nineteenth Century |
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Chapter 28 Late Romanticism in Germany and Austria |
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Chapter 29 Diverging Traditions in the Later Nineteenth Century |
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PART SIX THE TWENTIETH CENTURY AND AFTER |
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Chapter 31 Modernism and the Classical Tradition |
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Chapter 32 Between the World Wars: Jazz and Popular Music |
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Chapter 33 Between the World Wars: The Classical Tradition |
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Chapter 34 Postwar Crosscurrents |
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Chapter 35 The End of the Millennium |
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Glossary |
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| 45 |
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For Further Reading |
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| 46 |
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Dieterich Buxtehude |
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| 47 |
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Useful general studies include Wagner and His Operas,ed. Sadie (London: Macmillan; New York: St. Martin's, |
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| 48 |
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Credits |
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Note: The index is alphabetized without taking spaces, hyphens, or accents into account. A boldface pagenumber indicates a boldface discussion of the term in the text. Italics refer to illustrations or musical |
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Israel, ancient, 10 |
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